Estefanía Martín Sáenz (Bilbao, 1982). After her participation in the Just LX Lisboa edition, Estefanía was awarded the I Acquisition Prize for Emerging Art by the Millennium bcp Foundation for her triptych Mala hierba and the II Painting and Plastic Arts Prize “La Rural” for her work La mala hierba también muere.
In 2016, she won the Acquisition Prize from the Martínez Guerricabeitia Foundation for her work Los cuervos que adoraban a la mujer, in which she invented the story of the Celtic goddess Morrigan and the crows. In 2015, she received the Dibujo DKV-MAKMA Prize for her work Las Ausentes, exhibited at the Centre del Carme in Valencia. Recently, she was awarded First Prize in the I Real Fábrica de Tapices Competition, in the Tapestry category, for her work Ligaduras.
Estefanía began working exclusively for the Llamazares Gallery in 2016, where she held her first solo exhibition, titled 1-600, curated by Semíramis González.
In 2018, she presented her project at the 15th edition of the Conexiones programme at the ABC Museum, with the solo exhibition Luto y lujo; and this year, she presented Máscaras at the Alcobendas Art Centre, Madrid. Maniobras de contención (2021) has been her third solo exhibition at Llamazares Gallery, where she previously exhibited 1-600 (2016) and Fieras (2019).
