Marina Rodríguez Vargas (Granada, 1980). Develops a solid artistic career marked by a critical review of classical iconography, the sacred, and mythology from a feminist perspective. Her work, with its sculptural roots and neo-baroque aesthetic, combines drama, symbolism, and reflection on identity, femininity, sexuality, and power, questioning the models of representation inherited from the Western canon. Each project is based on in-depth research, integrating art history, theological readings, and feminist theory, generating works of great visual and conceptual force.
Her solo exhibitions include Destripando el canon (CAC Málaga, 2015), Las líneas del destino (Museo ABC, Madrid, 2017), El cuerpo del amor (The Body of Love, Galería Llamazares, Gijón, 2021), and Revelaciones (Revelations, Museo Nacional Thyssen-Bornemisza, Madrid, 2025), which will travel to the Museo Regional de Querétaro del INAH in 2025 as part of an international project to give visibility to contemporary artists with a gender perspective.
She has participated in international fairs and projects such as ARCO Madrid, Zona Maco (Mexico), Cosmoscow Art Fair (Russia), ArtInternational (Istanbul), and recently participated with Galería Llamazares in UVNT 2024 and Estampa 2025, where the Studiolo Collection once again acquired his work, consolidating his presence in the market and in institutional collections.
Her work forms part of important public and private collections, including the Reina Sofía National Art Museum, the DKV Foundation, the Enaire Foundation, the Dos de Mayo Art Center, Artium (Basque Museum of Contemporary Art), the Andalusian Center for Contemporary Art, CAAM (Atlantic Center for Modern Art), CAC Málaga, and the Studiolo Collection, among others. In addition, she has received awards such as the DKV Estampa 2021 Prize and the First Prize for Photography from the Enaire Foundation 2023, highlighting her career and consolidating her position in the Spanish and international contemporary art scene.
