LA VIDA IMAGINADA

The starting point of this imaginary story of the artist is a found object, decontextualised and whose original meaning has been lost. The place of the revelation? A Parisian flea market. The objet trouvé? A family photo album. The context? A few notes on its pages indicate that, once the covers are opened, we are transported to Germany in 1936: the interwar period, the pre-war climate, Hitler and the Third Reich, National Socialism, anti-Semitism and the Berlin Olympic Games filmed by Leni Riefenstahl.